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Thursday, September 2, 2021

The Sable demo is back for a limited time - PC Gamer

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Sable is a gorgeous open world adventure game that marries the exploration of Breath of the Wild with vivid Moebius-inspired art. It received a demo back in June which Malindy loved, but if you missed it the first time around, the demo is back again.

It's part of the Indie Houses Direct event, which celebrates a host of indie games with announcements, demos and more from August 31 until September 7. Participating publishers include Raw Fury, Fellow Traveller and Akupara Games, and the list of available demos is strong: in addition to Sable there's stuff like Kathy Rain: Director's Cut, Norco and The Forest Cathedral.

The list is long, but you should definitely make sure you check out Sable. "In just a very short demo, Sable managed to make me feel invested in its heroine and the world that awaits," Malindy wrote. "As the demo ends with the conclusion of Sable's preparations and a snippet of its theme song by Japanese Breakfast, I'm already imagining the journey ahead."

If you're not interested in demos, it's not long until the full release arrives: the Sable release date is September 23.

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Wednesday, September 1, 2021

What to Watch: Six New Movies and Shows to Stream This Week - The Wall Street Journal

Kanye West was unfaithful to Kim Kardashian during their marriage - Page Six

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Kanye West cheated on Kim Kardashian after she welcomed her first two kids — and is the inspiration for his new song “Hurricane.”

Multiple sources confirmed the meaning behind the telling lyrics in the track off “Donda,” his latest album that was released with plenty of fanfare and controversy. 

“The song is in a way his testimony of everything he did wrong and taking accountability for their marriage breakdown,” one insider shared. 

In the song the West raps, “Here I go actin’ too rich / Here I go with a new chick / And I know what the truth is / Still playin’ after two kids / It’s a lot to digest when your life always movin’.

Our source confirmed the aforementioned “new chick” is not brief fling Irina Shayk, despite rumors swirling otherwise.

“If you look closer to the lyrics he is referring to his infidelity during his marriage with Kim, even after two kids,” the insider continued.

The song also alludes to West, 44, never going home to their multimillion-dollar mansion and struggling with alcohol abuse. 

“Architectural Digest, but I needed home improvement / Sixty-million-dollar home, never went home to it,” he raps of his struggling marriage. “Genius gone clueless, it’s a whole lot to risk / Alcohol anonymous, who’s the busiest loser?”

Kim Kardashian, Kanye West
According to sources, Kanye West cheated on wife Kim Kardashian shortly after she gave birth to their son, Saint.Getty Images

Despite the seemingly admitted infidelity, we’re told it wasn’t the straw that broke the camel’s back for Kim, as she went on to have two more kids before ending it.

While West’s bizarre presidential run and Twitter tirades took a toll on the marriage, his infidelity and struggles with alcohol also strained the relationship. 

Kim Kardashian, Kanye West and family
Kim Kardashian and Kanye West posed with their four children.
Instagram

A rep for West didn’t immediately return Page Six’s request for comment. Page Six broke the news in early January that Kim, 40, was ending her marriage to the “All of the Lights” rapper. The former “Keeping Up With the Kardashians” star officially filed for divorce in February. 

Despite the divorce, the KKW Beauty founder has been publicly supportive of West since the “Donda” promo tour kicked off – even if she is sometimes listening on mute.

A rep for Kardashian didn’t immediately return Page Six’s request for comment. 

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Our favorite startups from YC's Summer 21 Demo Day, Part 2 - TechCrunch

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From beaming actors into the class room to plucking things out of space, the second day of Y Combinator’s S21 Demo Day was a fresh snapshot of what nearly 200 startup teams believe is the future of innovation.

Yesterday, the TechCrunch team covered the first half of this batch, as well as the startups with one-minute pitches that stood out to us. We even podcasted about it! Today, we’re doing it all over again. Here’s our full list of all startups that presented on the record today, and below, you’ll find our votes for the best Y Combinator pitches of Day Two. The ones that, as people who sift through a few hundred pitches a day, made us go “oh wait, what’s this?”

Spark Studio

My experience with Indian culture is that it has a long history of valuing math and science over any other subject, which is why Spark Studio’s twist on online enrichment was refreshing. The YC company offers live, extracurricular learning classes for kids in Indian households — with a twist: The classes are about music, art and communication. As seen by the success of Outschool, small-group classes for school-going children can be a scalable way to supplement traditional education. Spark Studio is selling to kids between the ages of 5 to 15, which are highly impressionable, exploratory years.

Growing up, I was the only kid in my predominantly Indian family friend group who didn’t gravitate toward STEM. There were no services, other than the local library, to quench my interest in writing and reading. A service like Spark, if it gains the trust of parents, has the potential to make currently unconventional interests more conventional. And with over 400 students, and less than 2% churn, Spark Studio has early inklings it may be onto something. — Natasha

Litnerd

Image Credits: Litnerd

The best books don’t feel like homework, they feel like trips into another universe and hangouts with characters that could be friends. Litnerd is trying to scale the feeling of immersive, engaging text to millions of students, while also encouraging better literacy and habit-forming skills. The startup has works read and enacted by actors, making classroom reading into a more entertaining experience for school-age children.

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Brad Pitt challenges Angelina Jolie's child custody - Page Six

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Brad Pitt is challenging Angelina Jolie’s recent win in their child custody case.

The 57-year-old actor argued that the 46-year-old actress should not have gotten custody of the couple’s children due to an administrative error by a temporary judge whom they jointly selected, according to documents filed in California Supreme Court and obtained by Page Six on Wednesday.

The “Inglourious Basterds” actor was first granted joint custody of the former couple’s five minor children in May by Judge John W. Ouderkirk.

But a California appeals court disqualified Ouderkirk because it was found that he did not adequately disclose business relationships with Pitt’s attorneys.

Ouderkirk, who declined to disqualify himself from their divorce when Jolie asked him to in a 2020 court filing, has a long past with the family. He even married Pitt and the “Maleficent” actress in 2014.

A lower court eventually ruled that Jolie’s request to boot the judge came too little, too late, but she appealed that decision and won.

Pitt’s camp, in its new filing, says it believes that any error made by Ouderkirk was minor and not worth vacating his custody ruling. It also claims Jolie was looking for any reason to get the jurist removed from the case.

Angelina Jolie with her and Brad Pitt's children
Jolie and Pitt share six children.
GC Images

“We are seeking review in the California Supreme Court because the temporary judge, who had been appointed and repeatedly renewed by both sides, was improperly disqualified after providing a detailed, fact-based custodial decision, following a lengthy legal process with multiple witnesses and experts,” Pitt’s lawyers said in a statement.

Page Six reported that the “Once Upon a Time … in Hollywood” star vowed to fight the court’s decision in July.

“The lower court’s ruling will reward parties who are losing child custody cases, and condone their gamesmanship, by allowing them to wait and see about the likely direction of the case before seeking the disqualification of the judge,” his lawyers argued in their statement.

“Condoning the use of this type of strategic ‘lie in wait’ disqualification challenge will cause irreparable harm to both the children and families involved in this case, and other families in other cases, by unnecessarily prolonging the resolution of these disputes in an already overburdened court system. Allowing this kind of crafty litigation strategy will deprive parents of irreplaceable time with their children as judges are disqualified for minor reasons in the midst of their cases.”

Jolie and Pitt share six children: Maddox, 20, Pax, 17, Zahara, 16, Shiloh, 15, and 13-year-old twins Vivienne and Knox. Maddox is not included in the ongoing custody battle because he is no longer a minor.

A rep for Jolie did not return our request for comment.

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Texas six-week abortion ban takes effect - The Washington Post

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Jay Janner Austin American-Statesman/AP

Antiabortion demonstrators gather in the rotunda at the Texas Capitol while the Senate debated antiabortion bills on March 30 in Austin.

AUSTIN — A Texas law that bans most abortions after six weeks of pregnancy went into effect Wednesday, as a midnight deadline for the Supreme Court to stop it came and went without action.

The court could still grant a request from abortion providers to halt the law, one of the nation’s most restrictive. But for now, abortion providers in Texas, including Planned Parenthood and Whole Woman’s Health, said they will no longer terminate pregnancies more than six weeks from a woman’s last period.

Providers said the law effectively eliminates the guarantee in Roe v. Wade and subsequent Supreme Court decisions that women have a right to end their pregnancies before viability, and that states may not impose undue burdens on that decision.

As longtime opponents of abortion claimed Wednesday as “a historic and hopeful day,” abortion-rights advocates and providers decried the impact of the new law on the women they serve.

“It’s just really unclear what the future will hold for women in Texas,” said Kathy Kleinfeld, the director at Houston Women’s Reproductive Services. “I really don’t know. I don’t feel pessimistic. I don’t feel optimistic. I’m just right in the middle, cautiously waiting.”

Human Coalition Action Texas Legislative Director Chelsey Youman, who backed the bill, praised Texas as “the first state to successfully protect the most vulnerable among us, preborn children … Human beings are worthy of protection at all phases of development.”

Federal judges across the country have cited Roe and other precedents to block six-week bans in other states before they took effect.

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The lawsuits that stopped those laws targeted government officials who would enforce the bans, which proponents dub “heartbeat bills” because they say that is when a doctor can first detect a fetal heartbeat. Doctors opposed to the bills dispute that description, saying the fluttering that is detected cannot exist outside the womb.

[The Mississippi clinic at the center of the fight to end abortion in America]

The Texas law was designed to make it more difficult for abortion rights advocates to win such pre-enforcement injunctions. The statute empowers individuals, instead of state government officials, to bring legal action against those who help women seeking a prohibited abortion.

Lawyers for abortion providers told the Supreme Court that the statute, known by its bill number, S.B. 8, would “immediately and catastrophically reduce abortion access” in Texas and probably force more clinics to close. The law is unconstitutional, they say, because it conflicts with the court precedents that prevent states from banning abortion before a fetus would be viable outside the womb, usually around 22 to 24 weeks.

About 85 to 90 percent of people who obtain abortions in Texas are at least six weeks into pregnancy, meaning this law would prohibit nearly all abortions in the state.

“Patients will have to travel out of state — in the middle of a pandemic — to receive constitutionally guaranteed health care. And many will not have the means to do so,” Nancy Northup, president of the Center for Reproductive Rights (CRR), said in a statement. “It’s cruel, unconscionable, and unlawful.”

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In response Tuesday, Texas Attorney General Ken Paxton (R) said the Supreme Court does not have jurisdiction to act against the law at this point, and that any legal challenges would have to wait until someone actually brought a civil action against an abortion provider or someone who aids the woman.

“This Court cannot expunge the law itself. Rather, it can enjoin only enforcement of the law,” he wrote in his brief to the court, which did not mention Roe. But in the Texas case, he noted, government officials “explicitly do not enforce the law.”

The abortion providers, Paxton wrote, “have not shown that they will be personally harmed by a bill that may never be enforced against them by anyone.”

Eric Gay

AP

Texas state Rep. Donna Howard (D-Austin), center at lectern, stands with fellow lawmakers in the House Chamber on May 5 to oppose the bill that would ban abortions as early as six weeks and allow private citizens to enforce it through civil lawsuits.

[In East Texas ‘sanctuary for the unborn’ movement expands]

Abortion providers and advocacy groups initially challenged the law in July. Because the measure depends on lawsuits filed by private citizens, the groups targeted state court judges and county clerks in their challenge, to try to prevent them from accepting paperwork required to sue those who assist women in getting abortions.

Mark Lee Dickson, the director of Right to Life of East Texas, who has encouraged people to bring the suits and offered to recommend lawyers, is also named as a defendant. His lawyer, Jonathan F. Mitchell, told the justices on Tuesday that abortion providers cannot demonstrate that the injunction they are seeking will “prevent the irreparable harms that they allege.”

Individuals who are sued under the ban could be required to pay the person who brought the lawsuit at least $10,000 for each abortion the defendant was involved in. Critics say the law places a “bounty” on the heads of those who assist with abortions.

In August, a District Court judge in Austin allowed the case challenging the law to proceed and scheduled a hearing for Monday to consider whether to block the law. But the Texas-based U.S. Court of Appeals for the 5th Circuit called off the hearing and halted the proceedings.

The Supreme Court has agreed to review a Mississippi ban on almost all abortions after 15 weeks of pregnancy. Abortion opponents are hoping that the court’s conservative majority will use that case to overturn Roe.

[No abortions after 6 weeks: Texas clinic prepares for ban to take effect]

At the Texas Equal Access Fund on Tuesday, a shaken staff worked long hours to provide financial assistance and emotional support to as many women seeking abortions as possible before the ban took effect. They also had begun sending women across state lines to terminate their pregnancies.

“We are just in total limbo. Can we help people today but risk being sued tomorrow if the ban holds?” said Nikiya Natale, a lawyer for the fund.

Inside College Heights Baptist Church in West Texas, Dickson told a crowd that people should “fear God more than the ACLU.” In addition to backing the Texas law, he has worked for years to create “Sanctuary Cities for the Unborn,” persuading dozens of towns in rural parts of the state to create similar abortion bans.

“An abortion clinic in Waskom, Texas, is not an Austin problem or a Washington problem, it’s a town problem,” Dickson said Tuesday night. “Who wants their city to be the gateway of abortions?”

Abortion providers and advocates for abortion rights said they would continue fighting the bill and pushing for access to a full range of reproductive health care for women.

“Our ability to provide the best health care for our patients has been turned over to self-appointed vigilantes,” said Amy Hagstrom Miller, president and chief executive of Whole Woman’s Health, which is leading the legal challenge to the law. “This is an abortion ban, plain and simple. It robs Texans of their ability to make decisions about their health and their futures. We have been here before, and we’ll continue serving our patients however we legally can and fighting for their right to safe, compassionate abortion care.”

Heather Gardner, the executive director of the antiabortion Central Texas Coalition for Life, said her organization will start distributing fliers explaining the ban to abortion clinics in that part of the state.

Although Gardner said she does not expect to file lawsuits herself to enforce the ban, she said her organization would advise people who come to her to report any illegal abortions.

“We would do what we could to see what legal action could be taken,” Gardner said. “We wouldn’t want to let that go, because they need to be held accountable.

Kitchener reported from Austin, Wax-Thibodeaux reported from Lubbock, Tex., and Barnes and Marimow reported from Washington.

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Hear the Doors’ Long-Forgotten, Raw-Sounding ‘Riders on the Storm’ Demo - Rolling Stone

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John Densmore vividly remembers the words longtime Doors producer Paul A. Rothchild used to describe “Riders on the Storm”: “cocktail music.” “When he heard it, it was in an early rehearsal and it hadn’t evolved into what it became,” the drummer says of the dramatic track, a cowboy ghost story set to haunting rain and thunder. “But it really is one of our most important songs.”

The full story of the track will finally be told in an upcoming, 50th-anniversary box set reissue of L.A. Woman, the band’s triumphant final record to feature singer Jim Morrison, due out December 3rd. Among the bonus tracks that accompany the newly remastered record are the original demo for “Riders,” which the band cut at Sunset Sound and is premiering here, an alternate version of the tune recorded during the L.A. Woman sessions, and, of course, the final studio rendition. The collection, which contains three CDs and one LP, features 18 previously unreleased recordings in total.

“Just recently, [Doors guitarist] Robby [Krieger] said he felt that L.A. Woman was the most organically formed album we ever did, because most of the songs were initiated from just jamming,” Densmore says. “Whereas Robby would sometimes bring in a completed song like ‘Light My Fire.'”

When the Doors started writing L.A. Woman, only a few months had passed since they’d put out their fifth LP, Morrison Hotel, which had seen the return to a harder, bluesier sound than the pop detours they had taken recently. They wanted to keep the momentum going on L.A. Woman, and together, they wrote “Love Her Madly,” “L.A. Woman,” and “Riders on the Storm,” among other fan favorites on the record, before inviting Rothchild to their rehearsals and eventually recording the rendition of “Riders,” featured here, at Sunset Sound.

The original demo moves a little faster than the studio version, and keyboardist Ray Manzarek played piano bass (as opposed to bassist Jerry Scheff’s performance on the studio version), giving it a rougher, almost electronic feel. Although it features the same power as the L.A. Woman version, it didn’t move Rothchild. “Paul put his head in his hands and said, ‘This is cocktail jazz, I can’t do this anymore,'” engineer Bruce Botnick recalls. Rothchild, who had just come off of producing Pearl for Janis Joplin, backed out of L.A. Woman, and the band ended up co-producing the album with Botnick. “With Bruce and us producing, we had more control,” Densmore says. “It was a joy. It only took a few weeks to make.”

While overseeing the reissue, Botnick recently discovered the long-forgotten demo on what he called a hub, the aluminum center of a reel that the tapes wound around. That one take was all that was on the unlabeled hub. “We came upon that and went, ‘Oh, my God,'” the producer says. “And the funny thing is, when it got transferred, it got transferred backwards. So I had to flip it electronically, and when I heard it, I went, ‘Holy tamales, look what we’ve got.’ We had no idea there was even any aural record of the sessions.”

the doors LA woman

Later, when the band recorded the more familiar version of the song, Densmore recalls having fun with the sound effects. “I was playing God,” he says. “Jim had left for Paris. He didn’t like mixing anyway. It was too technical for him.” So without Morrison, who can be heard suggesting thunder sounds on a different take of the song, Botnick obtained recordings of rain and thunder that Elektra Records chief Jac Holzman had recorded in New York City one summer. “Bruce had set up the tape machine to play constant ambient rain and thunder, and he had a couple more cued up with thunderclaps, and we could drop a thunderclap wherever the fuck we want,” Densmore says. “So right after a line of Jim’s or a guitar solo, so it was a power trip.” (Botnick remembers this differently, saying that they didn’t cue the thunder effects but that they played one tape and all the thunder occurred at the perfect moment each time by coincidence.)

Despite how evocative the song was, neither Densmore nor Botnick can say what inspired Morrison to sing the lyrics he did. But the drummer has a guess: “He had done this film HWY, about a killer on the road, a little sort of student film thing,” he says. “And we were jamming on ‘Ghost Riders in the Sky,’ the kind of corny country song. And the guitar part kind of morphed into what we played, but we wanted the same mood – the same eerie, mystical mood, which we nailed.”

After apologizing for what he calls self-congratulating, however, Densmore quotes a friend who described the song in a way that struck him as true. “Carlos Santana said that ‘Riders’ has a mystery in it,” he says. “Once again, that’s a blessing.”

L.A. Woman: 50th Anniversary Deluxe Edition Track List

Disc One: Original Stereo Mix Remastered

1. “The Changeling”
2. “Love Her Madly”
3. “Been Down So Long”
4. “Cars Hiss By My Window”
5. “L.A. Woman”
6. “L’America”
7. “Hyacinth House”
8. “Crawling King Snake”
9. “The WASP (Texas Radio And The Big Beat)”
10. “Riders On The Storm”
Bonus Tracks
11. “Hyacinth House” – Demo
12. “Riders On The Storm” – Sunset Sound Version – Original Demo*

Disc Two: L.A. Woman Sessions, Part 1

1. “The Changeling” *
2. “Love Her Madly” *
3. “Riders On The Storm” *
4. “L.A. Woman” (Part 1) *

Disc Three: L.A. Woman Sessions, Part 2

1. “L.A. Woman” (Part 2) *
2. “She Smells So Nice” *
3. “Rock Me Baby” *
4. “Mr. Mojo Risin'” *
5. “Baby Please Don’t Go” *
6. “L.A. Woman” (Part 3) *
7. “Been Down So Long” *
8. “Get Out Of My Life Woman” *
9. “Crawling King Snake” *
10. “The Bastard Son Of Jimmy & Mama Reed (Cars Hiss By My Window)” *
11. “Been Down So Long” *
12. “Mystery Train” *
13. “The WASP (Texas Radio And The Big Beat)” *

The remastered LP track listing reflects that of the original release.

* previously unreleased

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