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Tuesday, January 17, 2023

New Forspoken Demo Update Adds Button Mapping, Lock-on Improvements, and More - Yahoo Entertainment

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New Forspoken Demo Update Adds Button Mapping, Lock-on Improvements, and More
New Forspoken Demo Update Adds Button Mapping, Lock-on Improvements, and More

A new Forspoken demo update will soon be rolling out to the PS5 version of the game. Highlights of the new patch include button mapping, which should help players master parkour more easily; a longer lock-on for enemies that move offscreen, which should make them easier to track when the camera gets a little unwieldy; and adjustments to text sizes.

New Forspoken Demo update patch notes

  • Button mapping functionality has been added.

  • Locked-on enemies that move off-screen will remain locked-on longer.

  • Certain text sizes have been adjusted.

  • Various technical issues have been fixed.

The patch was announced during a livestream alongside an updated list of PC system requirements.

The new Forspoken demo update is scheduled to go live later today. For those that had been avoiding it due to the lack of button mapping, wonky lock-on, and/or problems with the size of fonts, hopefully this patch helps to make it more enjoyable.

Though you can’t get them in the demo, Forspoken’s Trophies look easy enough to earn when the full game releases on January 24. Though they may require a bit of a grind for those looking to Platinum the game.

Whatever your impressions are of the demo, Forspoken’s devs are “sure” that the final release will meet fans’ expectations.

The post New Forspoken Demo Update Adds Button Mapping, Lock-on Improvements, and More appeared first on PlayStation LifeStyle.

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Monday, January 16, 2023

Huey Lewis says it was only the demo version of Power Of Love that Marty McFly shredded over in Back To The Future - MusicRadar

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The story behind Huey Lewis & the News’ The Power Of Love and how it made its way into Back To The Future’s audition scene is the stuff of music and movie legend. But as Lewis has revealed in a recent interview, not everything was as it seems – at least not on the screen.

The track we’re hearing on the film was not the track that scored the band their biggest hit. At least, it wasn’t the final version; it was only the demo of The Power Of Love that we are hearing when Michael J Fox as Marty McFly shredded all over with an Ibanez Roadster II s-style electric guitar. 

Speaking to YouTube channel Top 2000 a gogo, Lewis tells us how it all went down, and he claims that the success of the song, which was released ahead of the movie, convinced the studio to push its release forward.

“The film Back To The Future set a record for the shortest time ever between principal shooting and when the movie came out,” says Lewis. “Nine weeks. And the reason that is, is because The Power Of Love was released one week, and every week it was soaring up the charts, and then they put the pressure on Zemeckis. He still tells the story, ‘They’re coming to me, going, We’ve got to get the movie out – the song is killing it!’”

Other reports say the pressure came from the test screenings, which were overwhelmingly positive. This was high-concept sci-fi in an easily digestible blockbuster – a cinematic work of alchemy and they wanted it out. Either way, The Power Of Love was in, and if they were in such a hurry, perhaps there was no time to use the final version in the scene.

“They took that demo and [hums shred solo] all over it in the scene where Marty is playing guitar,” says Lewis. “That’s our demo!”

The band’s involvement began as these things tend to do in Hollywood, with the big power meet. The sit-down was called by a production team lead by Steven Spielberg and director Bob Zemeckis. They wanted to sound Lewis out.

“They took this meeting, and they said, ‘We have just written this film, and our lead character Marty McFly’s favourite band would be Huey Lewis and the News, how about writing a song for the film?’” says Lewis. “I said, ‘Well, flattered, don’t know how to write for film necessarily, and don’t really fancy writing a song called Back To The Future.’ And they said, ‘Oh no, whatever song you want.’”

That was the first hurdle cleared. How it was going to sound was another matter. Speaking to Rolling Stone in 2019, Lewis said he put the track on his Walkman and went for a jog, came back and finished it. Looking back on it in 2022, Lewis recalls just a little back and forth before they got what they wanted.

“I sent the demo down to them and it started with the verse [hums riff] in a minor key,” he says. “Bob Zemeckis got it and he said, ‘Oh, I don’t know. It’s not up enough. We need something to be up,’ I said, ‘Oh, okay.’ So I went to the boys and said what he thought and Johnny [Colla, rhythm guitars/keys] came up with [hums riff], those three chords, and it ended up being the intro, real positive. And Zemeckis said, ‘Great!’”

The video interview was shot at Lewis’ ranch in Montana, which he describes as the ranch The Power Of Love paid for. There he has been busy rewilding the pasture. 

What’s the appeal of Montana? “More cheese, less rats, less people, more nature!” he explains. Check out the full interview above, in which Lewis discusses hearing loss and how it has affected his lifestyle.

Lewis famously has a cameo in Back To The Future as the non-plussed fuddy-duddy teacher with a bullhorn who didn't think much of McFly and the Pinheads' performance. 

Lewis' teacher was styled after a label executive. Huey Lewis & the News would write and record a second track for the movie, Back In Time, which played as the credits rolled.

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Saturday, January 14, 2023

Ace puzzler Desktop Dungeons: Rewind has a demo and incoming daily challenges - Rock Paper Shotgun

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Desktop Dungeons is a morish puzzle game from 2010 that channels conventional dungeoning into fiendish headscratching. Every enemy sits still, waiting for you to come and whack it. Whack willy-nilly, though, and they'll kill you in no time - so you have to tactically explore parts of each level to heal, while targeting foes in an order that lets you survive long enough to level up and take on the big bads.

Desktop Dungeons: Rewind is an upcoming "modern remastering" of the original, with 3D graphics and the ability to rewind time rather than start each level from the very beginning. It's got a demo you can play right now, and it's adding free daily challenges with a sharable leaderboard later this month. I am hyped.

It's good at generating lots of small moments that feel satisfying. Just from 15 minutes of tinkering with the demo, I've already had a couple of times where I got to relish venturing into a single tile that restored just enough health for me to survive a fight. Another fight took me down to one HP, but I'd timed it so I immediately got to bask in the full health bar of a level up. There's something very pleasing about turning such a familiar idea into a critical component of a puzzler.

The 3D graphics aren't as immediately readable as their sprite-based forefathers, but I found myself adjusting pretty quickly. I also can't remember there being so many items to use, but it has been like, 13 years. Developers QCF Design say your saves from Desktop Dungeons will still work, so it can't be that different.

You can play the demo right now, but starting from January 25th there'll be a new, procedurally-generated dungeon each day that you get one stab at. One-shot daily challenges can be magic, if you can get a gang of friends to all join in and compare strategies and leaderboard scores. This is free, so hey, maybe you can.

Desktop Dungeons: Rewind is due out at some point this year, on Steam.

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Friday, January 13, 2023

Square Enix Has Released A Dragon Quest Treasures Demo Worldwide - Nintendo Life

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Dragon Quest Treasures
Image: Square Enix

Update [Fri 13th Jan, 2023 15:30 GMT]: A few weeks after the Japanese demo dropped on the eShop, you can now download the Dragon Quest Treasures demo from the North American and European eShop!

We thought this would happen eventually, and Square Enix confirmed earlier today (via the official Dragon Quest Twitter) that the demo is ready to download. And just like the Japanese demo, you can carry your save data over.

Get treasure hunting, Dragon Quest fans!


Original article [Fri 23rd Dec, 2022 02:05 GMT]: Square Enix is known for releasing some pretty generous game demos and this time it's back with one for its latest Dragon Quest spin-off, Dragon Quest Treasures.

This game arrived on the Switch earlier this month and was generally well-received by the critics. In our own Nintendo Life review we gave the title eight out of ten stars - calling it a "great" introduction to the RPG genre. It can be just as fun for veterans as well.

So, if you have been wanting to try out this game, and happen to have access to a Japanese eShop account, you can now download a full demo from there. It also includes English subtitles, suggesting the demo could be released worldwide at some stage.

One other point to note is that you can play until the point where you begin collecting treasure. Players can also transfer data from the demo to the full version if they decide to purchase it.

Would you be interested in trying out this latest Square Enix demo? Have you played the full game yet? Comment below.

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AEW Dynamite Draws Best Viewership Since October, Key Demo Rating Also Up This Week - Wrestling Headlines

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Wednesday’s live edition of AEW Dynamite drew 967,000 viewers on TBS, according to Nielsen via Showbuzz Daily.

This is up 11.92% from the last week’s episode, which drew 864,000 viewers for the live first episode of 2023.

This week’s Dynamite drew a 0.33 rating in the key 18-49 demographic. This is up 26.92% from last week’s 0.26 rating. This week’s 0.33 key demographic rating represents 429,000 viewers who watched the show from that 18-49 demo. This is up 27.68% from last week’s 336,000 18-49 viewers that the 0.26 key demo rating represented, according to Wrestlenomics.

Dynamite ranked #3 on the Cable Top 150 this week with the 0.33 rating in the 18-49 key demographic. This is up from last week’s #4 ranking.

Dynamite ranked #29 in viewership for the night on cable this week. This is up from last week’s #51 ranking.

Wednesday’s Dynamite drew the highest total audience since October 26 and the highest key demo rating since September 28. Sports competition last night included two NBA games on ESPN, two NHL games on TNT, two College Basketball games on ESPN2, one College Basketball game on Big Ten Network, one College Basketball game on FS1, one Women’s College Basketball game on FS1, one Super Copa Soccer game on ESPN Deportes, and one Super Copa Soccer game on ESPN2. Wednesday’s Dynamite viewership was up 11.92% from last week, while the 18-49 key demo rating was up 26.92% from last week.

This week’s Dynamite viewership was down 6.29% from the same week in 2022. The key demo rating was down 25% from the previous year.

The NBA game between the Bucks and the Hawks on ESPN at 7:44pm topped the night in the 18-49 demographic on the Cable Top 150 with a 0.37 rating, also drawing 955,000 viewers. The Five topped the night on cable in viewership with 3.609 million viewers, also drawing a 0.21 key demo rating.

Chicago Fire on NBC topped the night on broadcast TV in viewership with an average of 6.844 million viewers. Chicago Fire also topped the night on broadcast TV in the 18-49 key demo with a 0.67 rating.

Wednesday’s live edition of AEW Dynamite aired from the Kia Forum in Los Angeles, CA, and featured several happenings advertised ahead of time – a promo from The Jericho Appreciation Society, Bryan Danielson vs. Konosuke Takeshita, Adam Page vs. Jon Moxley, FTW Champion Hook and Jungle Boy vs. Big Bill and Lee Moriarty, AEW Women’s World Champion Jamie Hayter and Britt Baker vs. Saraya and Toni Storm, and the Best Of 7 Series Finale with new AEW World Trios Champions The Elite taking on Death Triangle in a Ladder Match, which was the main event.

Below is our 203 AEW Dynamite Viewership Tracker:

January 4 Episode: 864,000 viewers with a 0.26 rating in the 18-49 demographic
January 11 Episode: 967,000 viewers with a 0.33 rating in the 18-49 demographic
January 18 Episode:
 
2022 Viewership Average: 955,711 viewers per episode
2022 18-49 Key Demographic Rating Average: 0.34 per episode

2021 Viewership Average: 891,810 viewers per episode
2021 18-49 Key Demographic Rating Average: 0.34 per episode

2020 Viewership Average: 810,755 viewers per episode

2019 Viewership Average: 903,333 viewers per episode

Follow Marc on Twitter at @this_is_marc. Send any news, tips or corrections to us by clicking here.

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Thursday, January 12, 2023

Hear the Police’s Humble Beginnings on Stewart Copeland’s Rare ’Clown’s Revenge’ Demo - Rolling Stone

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The set list for the Police’s first concert consisted of seven songs, and drummer Stewart Copeland estimates they got through all of them in about six minutes. “We were fast,” he says. With the exception of “Landlord,” which Sting cowrote, and a cover of the Animals’ “It’s My Life,” Copeland tells Rolling Stone the songs were “all my concoctions.”

One of the set list’s curiosities is “Clown’s Revenge,” a charging prog-punk hybrid that sounds a bit like what X was doing around the same time in L.A., which Copeland wrote with his brother Ian. The Police never recorded it, but it was a staple of their early gigs. Stewart recently excavated a crude recording of the song that he cut with Ian while researching his upcoming book, Stewart Copeland’s Police Diaries (aka the Starving Years), which covers the years between 1976 and 1979 — roughly from their formation (rounded out at the time by guitarist Henry Padovani) through the release of Regatta de Blanc (home to “Message in a Bottle”). The book, which will come out this year, features copies of Copeland’s diary pages, handmade poster designs, and previously unpublished photos that give an inside account of how the group came together.

Copeland has enjoyed reflecting on the Police’s beginnings — just after he left the prog-rock group Curved Air — and how he got the band on its feet with long-forgotten songs like “Clown’s Revenge.” “The miracle is that when Sting first arrived in London, this and other crude renderings were the material that I played him as persuasion to join my band,” Copeland says. “And he joined!

“We didn’t yet have Sting songs to work with, just my two-chord tricks with lyrics so dumb that our singer couldn’t bring himself to articulate them clearly,” he continues. “[They were] basically bass riffs with yelling. So another miracle was that we stuck together through thin and thinner and then Andy [Summers] joined us, casting aside his lucrative session career to join two fake punks long before we knew what Sting could do. In the beginning it wasn’t so much the music that bonded us, since we hadn’t even figured that out yet; it was just musical instinct that convinced us that we were in the right company. We bonded with each other before we figured out what music to play.”

Thanks to his diaries, he still has vivid memories of when and how he recorded the demo of “Clown’s Revenge” at the London home of former Curved Air drummer Florian Pilkington-Miksa on July 14, 1976. “[Curved Air vocalist] Sonja Kristina, my brother Ian, and I were living there and used a storeroom to set up our gear and write/record songs,” he says. “From Curved Air, I had a leftover Yamaha ‘Leslie’ cabinet with reverb and recorded onto Florian’s Revox A77 tape machine — that I eventually bought from him. I soon discovered that I could play lightning guitar licks and be Eric Clapton by recording my solo with the tape at half-speed. When we moved to Mayfair [in London] and the punk thing broke out, Ian wrote this lyric and sang it into my trusty Shure SM57 microphone.” Seventy-three days later, Stuart met Sting and within a few months formed the Police.

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So why did the Police stop playing “Clown’s Revenge” and how did it foreshadow the trio’s future music? “Because Sting started writing actual songs,” Copeland says. “My theory is that when Sting started writing songs for us, Henry’s restricted guitar vocabulary forced [Sting] to conceive his songs in a more distilled musical language. Henry forced him to keep it simple so that when Andy showed up, Sting had mastered a simpler form but could now have richer harmony.”

Copeland says that the experience of going back to his diaries for the book reminded him of many more recordings from the group’s “starving years” that he hopes to release. “On them are the demos of songs that I played for Sting, band rehearsals with Henry Padovani, the night Andy first jumped on stage to jam with us at the Marquee, more band rehearsals with Andy and many other audio mementos,” he says. He’ll be sending some of those out to people who pre-order the book. Copeland says the book is “the truest account of the Police’s beginning and early days — I’ve got the receipts.”

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Wednesday, January 11, 2023

Forspoken Continues to Divide Opinion Following PS5 Demo - Push Square

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Forspoken PS5

It doesn't take a genius to see that Forspoken might be in for a bit of a rocky launch later this month. The Square Enix action RPG has most certainly had its ups and downs when it comes to marketing, and following the release of a playable demo on PS5 in December last year, opinions appear to be more divided than ever.

Case in point: the title's new trailer, which debuted earlier this week, currently has more dislikes than likes on YouTube (as per findings from PlayStation LifeStyle). Now obviously, optional YouTube metrics will never tell the whole story, but they can (and often do) give us a window into the leanings of public opinion.

Of course, this isn't the first time that Forspoken's marketing has attracted criticism. Last year, a social media advertisement ended up becoming a meme because of the narration from protagonist Frey. You know, the whole "so let me get this straight" script.

And based on the many, many takes we've seen online, the aforementioned demo hasn't really helped. Some think it's fine and that the full game will likely be much improved, while others reckon it's a worrying glimpse into a flawed release. We played it ourselves, and while we don't think that the demo does a very good job of introducing its various mechanics, it's definitely rough around the edges.

As always, we'd encourage everyone not to judge a game too harshly until it's actually released — but with Forspoken, the signs do point towards a title that's going to split people's opinions. It'll be very interesting to see how it reviews.

What are your thoughts on Forspoken? Did the demo sway you at all? Give us some predictions in the comments section below.

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